Actress Dasha Nekrasova has been terminated by the Gersh Agency following the release of a controversial podcast episode featuring far-right commentator Nick Fuentes. The episode, which aired in October 2025, attracted significant backlash for its promotion of harmful stereotypes, particularly concerning race and immigration. This reaction culminated in Gersh’s decision to sever ties with Nekrasova and remove her from an upcoming film project.
Background on Dasha Nekrasova’s Career
Born in 1991, Dasha Nekrasova is an American actress, filmmaker, and podcaster known for her multifaceted contributions to the entertainment industry. She gained recognition for her role as Comfrey Pellits in HBO’s acclaimed series “Succession.” Beyond television, her work includes independent films like “The Softness of Bodies” and “Bad Behaviour,” as well as directing the award-winning film “The Scary of Sixty-First.”
Nekrasova co-hosts the politically charged podcast “Red Scare” with Anna Khachiyan, which has gained notoriety for its incisive cultural commentary. Her ability to blend sharp wit with provocative opinions has established her as a distinctive voice that often challenges mainstream narratives.
Controversy Surrounding Nekrasova’s Firing
The catalyst for Nekrasova’s dismissal was the podcast episode featuring Fuentes, who is often described as a white nationalist and leader of the ‘Groyper’ movement. Released in October 2025, the episode sparked outrage for its discussions that echoed damaging stereotypes about various ethnic groups. The fallout from this episode reverberated throughout Hollywood, prompting Gersh to act decisively by terminating Nekrasova’s contract.
This move reflects the entertainment industry’s increasing sensitivity to political controversies and the pressures faced by talent agencies to maintain a reputation free from extremist associations. The backlash to Nekrasova’s podcast episode demonstrates that affiliations with controversial figures can have swift and severe consequences in Hollywood.
The impact of this controversy has extended beyond her agency relationship; Nekrasova was also removed from the upcoming film “Iconoclast,” a thriller directed by Gabriel Basso, even before the signing of a contract. This dismissal signifies a substantial setback for her career, limiting access to future opportunities that typically arise from collaborations with major talent agencies.
While Nekrasova has previously courted controversy with statements such as questioning the legitimacy of Pope Francis, the fallout from this incident represents one of the most significant challenges to her career. The situation raises questions about her judgment and the potential ethical implications of her media collaborations.
Though she has not yet issued a comprehensive public statement regarding her firing, Nekrasova’s pattern of embracing provocative stances indicates that she is unafraid to take risks. On a personal note, she married visual artist Reilly Sinanan in May 2025, following a previous engagement to comedian Adam Friedland. This blend of personal and professional controversies paints a complex portrait of an artist navigating the turbulent waters of public opinion and industry expectations.
As the entertainment landscape continues to evolve, Dasha Nekrasova’s case highlights the intricate relationship between political discourse and career trajectories in Hollywood.
