Belfast’s Grand Opera House Delivers Magic in ‘Pinocchio’

The Grand Opera House in Belfast has launched its latest pantomime, a vibrant adaptation of Pinocchio, which promises an enchanting mix of slapstick humour and theatrical magic. Running until January 11, 2024, the show brings together a talented cast that captivates both children and adults alike with its clever comedy and imaginative staging.

As audiences settle into their seats, they are greeted by a stunning set design featuring a large frame adorned with intricately carved toys and the title “Pinocchio” displayed in bold, colourful letters. The production opens with an ensemble cast dressed as playful toys, led by the charming Blue Faerie, portrayed by Jayme-Lee Zanoncelli. The story unfolds with a unique Belfast twist, introducing the beloved character of the wooden puppet who aspires to become a real boy.

The creativity on display is remarkable, particularly in how the production brings elements of magic to life, such as the introduction of a giant book that sets the stage for the classic tale. The costume department deserves special recognition for their dazzling designs; each outfit seems more striking than the last, filled with sequins and extravagant embellishments that are essential for a successful pantomime.

A standout moment is the clever depiction of Pinocchio’s growing nose when he tells a lie, which elicited laughter from the audience. The chemistry among the cast is evident, and audience members can appreciate the level of rehearsal and preparation involved. May McFettridge, an iconic figure in Belfast theatre, returns for her 35th year, taking on the role of May Geppetto, who operates a toy shop and creates Pinocchio. Her ability to engage the audience with witty remarks is unmatched, and her partnership with Paddy Jenkins, who portrays Jiminy Cricket, enhances the comedic dynamic of the show.

The villainous The Great Stromboli, played by Jolene O’Hara, also shines in her role, bringing a mischievous energy that complements the lightheartedness of the performance. O’Hara has embraced this role for her fourth consecutive year, though some audience members expressed a desire to hear more of her impressive singing talent throughout the performance.

One of the most mesmerizing moments occurs when Pinocchio’s toy plane flies over the audience, flipping actor Adam C Booth upside down, leaving younger viewers in awe, convinced of its magical realism. The humour is well-balanced, ensuring that adults also find much to enjoy, making the production a delightful experience for families.

For those fortunate enough to secure tickets, Pinocchio at the Grand Opera House offers an ideal blend of laughter and enchantment. The show exemplifies the joy of panto season, bringing a festive spirit to the theatre and creating memorable moments for everyone in attendance.